A shop window has roughly two seconds. That is how long it takes for someone to walk past. In that time the display has to stand out — and for that it needs one property above all, the one most installations fail on: enough brightness against daylight.
High brightnessPortrait & landscapeOpening hours24/7
[ 01 ] Brightness
Why an ordinary screen disappears in a shop window.
Brightness is measured in cd/m². A television in a living room needs little of it because the room is dimmed. A shop window works against direct sun, a bright sky and reflections in the glass. Without the luminance, all a passer-by sees is their own reflection.
250 cd/m²
Consumer television. Sufficient indoors, practically unreadable in a shop window in daylight.
from 500 cd/m²
SCRN standard display. For interiors, counters and menu boards with daylight from the side.
High brightness. Direct sunlight, south- and west-facing locations, glass fronts without shading.
Which value you need is decided by the orientation of the façade — which is why we look at the surface beforehand instead of taking a number from a catalogue.
[ 02 ] What comes with it
A shop window is a special case.
Behind glass, displays face conditions found nowhere else: sun from the front, heat build-up behind, changing light across the day and a static motif for weeks on end.
Heat
Heat build-up behind glass
In summer a greenhouse forms between the pane and the display. Our devices regulate their own temperature; in tight installations we plan ventilation in.
Across the day
Automatic dimming
Full power against the midday sun, dialled down in the evening. A display running at full brightness at night glares and looks cheap.
Static motif
Burn-in protection
A logo standing in the same place for weeks burns into a consumer panel. Our devices have protective mechanisms against that.
Format
Portrait or landscape
Portrait for narrow windows and entrances, landscape for wide fronts. Both mountable at no extra cost, with a custom-fit bracket.
Scheduling
Opening hours and night mode
The surface switches off at closing time or changes to a night motif — and back again in the morning without anyone lifting a finger.
Motion
Loops with rhythm
We time animations to the walking speed in front of the glass. Too fast is ignored, too slow is never noticed.
[ 03 ] Content
Two seconds, one message.
The most common mistake in a shop window is too much content. Someone reading while walking takes in one image and at most three words. Everything else is for the person who stops — and they only stop if the first image lands.
One motif per loop. Not a carousel of six offers, but one statement that works.
Large type. Calculated for the distance, not judged on a monitor.
Movement at the edge. The eye is caught by movement in peripheral vision, not by detail in the centre.
Changing by time of day. Different content in the morning than in the evening — same surface, two audiences.
You buy the display once including mounting and installation; control runs as a monthly licence. High-brightness panels sit above the entry price — how far above depends on the diagonal and the luminance required.
That depends on the compass direction. North-facing sides and covered entrances usually manage with 700 cd/m²; south- and west-facing locations with direct sun need up to 1,500. We look at the façade and measure rather than guess — free of charge in Berlin.
Does a display survive the heat behind the glass?
Yes, if it is built for it. Professional panels have thermal management and higher operating temperature limits than consumer devices. It becomes critical in closed cladding without air circulation — which is why we plan ventilation in from the start.
Can the display be switched off at night?
Yes, via night mode. The surface switches off at closing time and back on in the morning without anyone having to remember. That saves electricity and extends the life of the panel. Alternatively a dimmed motif keeps running overnight.
Will a static logo burn in?
With consumer televisions yes — in shop windows that is the most common cause of failure. Our displays have burn-in protection for static content, and motifs can additionally be shifted slightly to spread the load.
Portrait or landscape?
Portrait works more strongly in narrow windows and beside entrances, because it follows the silhouette of a person and projects into the field of view as people walk by. Landscape suits wide fronts and several products. We mount both at no extra cost.
Can we run several branches centrally?
Yes. You maintain one motif and publish it to all locations, or give individual stores their own content. For surfaces running in sync across a window front you need SCRN Premium.
Send us a photo of your window.
With a picture of the façade and the compass direction we will tell you which brightness and format fit — and what it costs. Reply within one working day.